The scene then transitions to the story of Andreuccio. The film begins with Ser Ciappelletto (who returns later in the film) committing a murder and hiding a dead body. The Neapolitan ballad is about a maid searching for a husband. The credits roll while the song-play Zesa Viola o La Zita in cerca di un marito is played over top. The film, shot in Neapolitan dialect at the behest of the director, offers a variety of episodes from the stories in Giovanni Boccaccio's book, and are linked through a pupil of the painter Giotto (played by Pasolini himself) who arrives in Naples to paint a mural. He considered these an affront to the anti-capitalist message of the film and would disown this film in his final days before dying. Despite the success and critical acclaim of this film, Pasolini was upset with the numerous low quality knock offs and remakes it generated. The film was entered into the 21st Berlin International Film Festival, where it won the Silver Bear Extraordinary Jury Prize. Stories are often changed to southern Italy and heavy use of the Neapolitan dialect is used to signify the mistreatment and economic exploitation of the poorer region by the richer northern parts of Italy. Pasolini's intention was not to faithfully recreate the world of Boccaccio's characters but to criticise the contemporary world through metaphorical use of the themes present in the stories. The tales contain abundant nudity, sex, slapstick and scatological humour. Each film was an adaptation of a different piece of classical literature focusing on ribald and often irreligious themes. It is the first film of Pasolini's Trilogy of Life, the others being The Canterbury Tales and Arabian Nights. The Decameron ( Italian: Il Decameron) is a 1971 anthology film written and directed by Pier Paolo Pasolini, based on the 14th-century allegory by Giovanni Boccaccio.
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